Giselle - A Chronicle Of Joy

By Haywood Hunter


Giselle is to ballet what Hamlet is to the theatre. Historically important in its own right, audiences flock to it so they may see it interpreted afresh by a new corps of ballerinas. Enthusiasts swear that every time they go, they always see something that they had missed on previous occasions.

A unique take on the theme of the love triangle, Giselle is the story of a young peasant country girl who perishes of a broken heart upon learning that the wealthy Albrecht, with whom she has fallen in love, was bethrothed to another woman. Hilarion, a commoner who is in love with the peasant girl, is seen mourning at her grave when he is surprised by the Wili, the ghosts of young women who had not lived to see their wedding days. They fill their nights for eternity by torturing men to death.

The customary method of torture used by the Wilis, as the spirits were known, was to attract young men and force them to dance until they died. In the case of the gamekeeper, they chase him and then hurl him to his death in a lake. When they turn their attention to the cheating nobleman, the spirit of the peasant girl protects him from their evil magic until day breaks, when they return to their graves. Her two-timing lover is forgiven and Giselle returns to her grave to rest in peace.

First presented in Paris at Salle le Peletier in June 1841, it appeared in London at Her Majesty's Theatre in March 1842. It went on to be presented in Russia, Italy and the United States. It is now a film in 3D.

The leading role in this ballet is one of the most sought after by promising young dancers. It requires tremendous grace, a high level of technical skill and the ability to act convincingly. It was written by dramatist Theophile Gautier. It first starred Carlotta Grisi, for whom it was created by Gautier. Since then, the peasant girl has been portrayed by Alicia Markova, Svetlana Zakharova and Anna Pavlova.

Gautier was inspired by the story of the Wilis, which was written by poet and novelist Heinrich Heine. Gautier pictured it in his mind as a ballet. He worked with the composer, Adolphe Adam and choreographer, Jules Perot.




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